“ ..When I go back to visit Sri Lanka, yes there is over-arching tragedy that the civil war implicates, but at the same time it’s a country like anywhere else where people live day to day lives and have the same kind of human journey that you have anywhere..”
Photo By: Holly Brooks
“..In terms of being passive, I’m quite a contrast from this character and there was a struggle in achieving that but I was able to bring some of my experiences to it by my own upbringing..”
Photo By: Holly Brooks
Snow is a film for a lot of different people, not just immigrants or people dealing with a natural disaster. Like Breakaway, it gives the South Asian parents in Canada food for thought. These parents choose to immigrate to Canada. In Canada their kids have to navigate between two different worlds. Sometimes these worlds contradict and conflict without parents and kids’ knowing how exactly to behave. It also gives parallels to Shafia sisters whose trial and murder and shocked not only Canadians but people around the world.
Nevertheless, Suzanne Lively, the producer of the film explains “Snow’s portrayal of grief and transformation struck a chord with my own history and although people’s stories are different, the emotions we feel are not; I wanted to be part of a film that allowed the audience to experience the unity in the human condition.”
The audiences of Snow can relate to the film from many different angles whether it’s an immigrant story, or one of loss and grief, or dislocation.
With $350,00 budget and non-professional caste, Rohan Fernando, Writer, Director, Producer has created a film that’s theatrical release is on Feb 24th only at the Cumberland Cinemas and continuing across the country after that.
Generation Next interviewed Kalista Zackhariyas, lead actor of Snow and Rohan:
Would you call the story of Snow a typical immigrant story with typical immigrant problems?
Rohan: I think it’s typical in the sense that the emotional journey she takes to better circumstances is exaggerated by extreme loss that she goes through. So in a way, I was working towards an iconic journey, exaggerated by extreme emotional loss.
While filming did you sense the need for Canadian audiences to understand the implications of natural disasters like tsunamis?
Rohan: In some ways the focus was about the loss of identity that the many immigrants go through. The tsunami as a natural disaster was a way of going about that in a non-political way because the loss is from a natural disaster rather than warfare or other reasons.
In Canada where multiculturalism is a national policy do you feel there was a need to discuss loss of identity?
Rohan: I guess it depends on where you’re living. Like in Toronto with its large Sri Lankan community, there might be less of a loss of identity; you grow up entrenched in your culture to some extent. But this character comes to a place like Nova Scotia where they come face to face with an outside culture that they have to kind of make sense of.
Kalista: I’m an immigrant to Canada and I came when I was around 10 ears old and even though I didn’t come after a loss or natural disaster, and even though I came to Toronto where we have a large South Asian population, I still felt the difference. There is a lot of coping and getting used to because Sri Lankan community here is very different from the way it is back home.
You wanted to focus on the emotional journey, but the moment you mention Sri Lanka, doesn’t it become political?
Rohan: I think that’s one of the things I try to combat; you have an imposed political identity just because you come from a country where majority of the political news is about the Civil War. When I go back to visit Sri Lanka, yes there is over-arching tragedy that the civil war implicates, but at the same time it’s a country like anywhere else where people live day to day lives and have the same kind of human journey that you have anywhere. So I wanted to focus on the human aspect of character.
Was the setting of Nova Scotia chosen deliberately?
Rohan: I actually wanted to set the story in a place where the character is forced to encounter the outside culture.
Do you think that is trauma in itself- personal decision making?
Rohan: Absolutely. It was interesting that when I took it to broadcasters, one of the comments that people kept saying was why doesn’t she stand up for herself? She’s so passive. They were talking about it in terms of a weak character; the reality is that many women from that culture tend to be passive because a lot of decisions are made for them. I feel her journey is one where she starts to take more control of her identity and starts to make more decisions and stronger decisions that you wouldn’t expect of someone from that culture.
Kalista, how did you play this passive character? Did you relate t oit?
Kalista: I was raised very traditionally Sri Lankan. My parents for a long time decided what was going to happen, with whom, and how in my life. And I rebelled against that, because I did come to Canada when I was very young. In that sense I faced the struggle between being raised very traditionally and figuring out my own identity. In terms of being passive, I’m quite a contrast from this character and there was a struggle in achieving that but I was able to bring some of my experiences to it by my own upbringing.
Was it difficult to work with non-professional artist actors?
Kalista: I wouldn’t say it was difficult. I don’t know how Rohan did it but he managed to pull off a non professional cast that brought a tremendous amount of professionalism and dedication to the film.
Rohan: They were also picked because they had similar life experiences to the characters they portrayed so it really a question of letting them be honest and be themselves.
How did you recruit these artists?
Rohan: I knew a lot of them, many of them growing up.
How long did it take to film?
Rohan: We shot for 18 days.
What was the budget you were working with?
Rohan: $350 000.
Were you surprised to hear there would be a theatrical release of the movie?
Rohan: We’ve been working hard towards it so it wasn’t a surprise but it was welcomed. And I have to give a lot of credit to Telefilm and Kenosmith, for the theatrical release.
What are your expectations of community reactions to the movie?
Rohan: I would love for it to create discussion. I think there are some controversial things in the film and they are worth discussing in terms of the way we view our identities as Sri Lankans or South Asians in Canada. It’s worth considering the options that are open to immigrants to Canada.
Do you think there are parallels between the story and Shafia trials?
Rohan: Of course you’re dealing with a culture that is highly restrictive of their daughters and it ended in tragic circumstances. And it’s a difficult struggle for the parents because they have to let go of what they feel their culture is and what is best for their kids..